Download E-books HTML and CSS Web Standards Solutions: A Web Standardistas' Approach PDF

By Christopher Murphy

This e-book will train you ways to construct handmade websites the net Standardistas approach: utilizing well-structured XHTML for content material and CSS for presentation.

By embracing an online criteria process, you are going to carry the foremost to making sites that not just glance nice in all glossy browsers, but additionally are obtainable to a large choice of audiences throughout more than a few platforms―from these searching on daily desktops, to these gaining access to the net at the most recent rising cellular devices.

Even if you are an absolute newbie in website design, this e-book will train you the way to construct future-proof web content the proper manner utilizing easy-to-master instruments that are, more often than not, unfastened. via 14 easy-to-follow chapters, we introduce you to the basics of up to date website design perform. step-by-step we will gather well-structured XHTML webpages, which we are going to then variety utilizing hand made CSS.

By the top of the booklet, you should have a company wisdom of the necessities of website design: every little thing you must understand to maneuver ahead on your lifelong trip as an online Standardista.

To equip you in this noble quest, we have integrated stress-free useful assignments on the finish of every bankruptcy. Embracing those demanding situations won't in basic terms train you ways to create nice taking a look websites which are the envy of your friends, but in addition equip you with an unequalled wisdom of monkeys that journeyed to area and apes that starred within the movies―the genuine stars of this publication.

On of completion of this booklet not just will you have the capacity to create well-crafted websites, yet you've earned the badge of an online Standardista, proving your worthy as an excellent citizen of the Web.

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Extra info for HTML and CSS Web Standards Solutions: A Web Standardistas' Approach

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Enhancing desk accessibility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . including a descriptive precis to a desk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quoting textual content . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . What’s a

? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Citations (or ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quotations (or ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . different tags within the Standardistas’ toolbox. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Abbreviations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . creating a case for ideas:

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A notice on self-closing tags . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . and
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marking up alterations with  and  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  and . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . precis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Homework: Gordo’s event . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . bankruptcy five: together with photographs  sixty six sixty six sixty seven sixty eight 70 seventy one seventy three seventy four seventy five seventy six seventy seven seventy nine seventy nine eighty eighty one eighty two eighty two eighty three eighty four eighty five 86 86 88 88 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ninety one  Introducing the  tag . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ninety two An  tag in motion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ninety two including width, top, and name attributes to pictures . . . . . . . . . . . . . . . . . . . . . . . . . . . . ninety six  ix CONTENTS operating with photos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ninety seven Which photograph editor? (Or how lengthy is a bit of string? ) . . . . . . . . . . . . . . . . . . . . . . . . ninety eight Photoshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ninety eight Fireworks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ninety nine Photoshop show . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ninety nine convey out the GIMP (and its neighbors) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . a hundred snapshot optimization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . a hundred Why compressing your documents is critical . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . one zero one retailer for net . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102 picture codecs for the net . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103 JPG: images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103 GIF: pix and sort. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . a hundred and five PNG: the hot (old) child at the block . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 PNG-8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 PNG-24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 A pixel is a pixel is a pixel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 measurement issues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 the restrictions of bitmaps. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . a hundred and ten Vector images . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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