By James Hall
Sheds new gentle at the lengthy heritage of self-portraiture with clean interpretations of well-known examples and new works, principles, and anecdotes
This huge cultural historical past of self-portraiture brilliantly maps the historical past of the style, from the earliest myths of Narcissus and the Christian culture of “bearing witness” to the prolific self-image-making of today’s modern artists.
targeting a perennially renowned topic, the ebook tells the bright heritage of works that provide insights into artists’ own, mental, and inventive worlds. themes contain the significance of the medieval reflect craze in early self-portraiture; the confessional self-portraits of Titian and Michelangelo; the mystique of the artist’s studio, from Vermeer to Velázquez; the position of biography and geography for serial self-portraitists resembling Courbet and Van Gogh; the a number of selves of recent and modern artists equivalent to Cahun and Sherman; and up to date advancements within the period of globalization.
entire and wonderfully illustrated, the booklet positive factors the paintings of quite a lot of artists together with Beckmann, Caravaggio, Dürer, Gentileschi, Ghiberti, Giotto, Goya, Kahlo, Kauffman, Magritte, Mantegna, Picasso, Poussin, Raphael, Rembrandt and Van Eyck. the entire variety of the topic is explored, together with comedian and cartoon self-portraits, “invented” or imaginary self-portraits, and critical collections of self-portraiture corresponding to that of the Medici. a hundred and twenty illustrations in colour and black and white
Read or Download The Self-Portrait: A Cultural History PDF
Best Art books
Designed for artwork appreciation classes, the ability OF paintings is the 1st publication to really combine the research of paintings inside a world old context. It provides the tale of paintings as a part of the accrued event of humankind by means of reading connections among our modern international and the previous. The authors supply assurance of layout and some of the media and contain greater than six hundred illustrations to supply visible help.
Modern artwork hasn't ever been so well known, yet what's its function at the present time and who's controlling its destiny? modern artwork is meant to be a realm of freedom the place artists surprise, holiday taboos, flout in most cases acquired principles, and turn among confronting audience with works of serious emotional profundity and jaw-dropping triviality.
"A provocative interpretation of the political and cultural background of the early chilly struggle years. . . . by means of insisting that paintings, even artwork of the avant-garde, is a part of the final tradition, now not self reliant or above it, he forces us to imagine otherwise not just approximately paintings and artwork heritage yet approximately society itself.
What's the impact of sunshine because it measures the seasons? How does gentle go away diverse lines at the terrain―on a Pacific Island, within the Aegean Sea, excessive within the Alps, or within the woodland? John Sallis considers the expansiveness of nature and the diversity of human imaginative and prescient in essays in regards to the impact of sunshine and luminosity on position.
Extra info for The Self-Portrait: A Cultural History
From this the countless forms of portray, weaving, carving, and founding have arisen, in order that we glance with ask yourself no longer at nature on my own yet on the artificer as well’. sixteen Hugh’s particular curiosity in and appreciate for the person maker is in direct distinction to the present view inherited from antiquity. Artists’ publicity of the mechanics of creating, and of themselves as makers, belongs to this similar pattern – as does the writing down of Theophilus’s technical guide, which itself exhibits know-how of Hugh’s treatise. the main vivid and excessive of the self-portraits of the artist at paintings looks in a Passionale (Lives of the Saints) of c. 1170–1200, detailing the sufferings of assorted saints and martyrs. It was once painted by means of Canon Rufillus of Weissenau within the diocese of Constance (now Switzerland). A tonsured pink head with an extended gaunt face, he sits on a trestle desk positioned beneath his personal preliminary letter ‘R’, completing off the ‘tail’ of the letter. This marks the start of the ‘sufferings’ of St Martin. Rufillus’s atmosphere is thoroughly delineated. He holds up a pot of paint in his left hand, propping his hand up on a mahlstick, and holds his paintbrush horizontally in his correct hand at eye point, as if it have been a prosthetic, stalk-like extension of his eyes. The position of eyesight, and of hand-eye coordination, in art-making is emphasised as by no means prior to. His signature – FR. RUFILLUS – is inscribed over his head, and runs all of the manner alongside his paintbrush. The Latin observe for crimson is ‘rufus’ so his identify needs to derive from his purple hair, and Rufillus’s redness is proudly underscored by way of the truth that he's presently utilizing crimson paint (in 1624, Rubens could pun on his personal identify in a self-portrait by means of together with a pink sky and pink cheeks: in Latin, rubens capability ‘reddening’). The ant-like ‘miniaturization’ of the artist indicates the subtlety and keep watch over had to paint these kind of quite difficult styles and shapes. even as, the preliminary is endowed with architectural scale and shape, and will be inhabited via the artist. the duty handy is made similar to the construction of church buildings and cathedrals, that have been additionally commonly painted. but simply within the subsequent century did grasp masons begin to be honoured with tombs and inscriptions of their personal cathedrals. 17 while substantial groups of employees have been required to create such constructions, this artist truly works on my own. there's a robust feel during this self-portrait preliminary that the person artist lives inside of his personal art, and is simply accountable for it. This R-framed snapshot of Rufillus is, by means of any degree, a self-contained self-portrait. Father Rufillus of Weissenau, Self-Portrait Illuminating the preliminary ‘R’, c. 1170–1200, ink and color on parchment The letter ‘R’ is produced from a phenomenal assemblage of disparate ornamental parts and legendary beasties. Rufillus is portray the ‘tail’ of the letter, shaped from a writhing serpent, with a special head at each one finish. on the best finish, simply in the back of Rufillus, a snake-like creature with retractable jaws bites the decrease section of the round part of the ‘R’; the opposite finish of the snake terminates in a blue-bearded human head with a serpent’s tongue and a dragon crest.