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Aspekte des traditionellen chinesischen Kunstbegriffs by Roger Goepper (auth.)

By Roger Goepper (auth.)

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XV: Jaakko Frosen, Helsinki/Athen Die verkohlten Papyri aus Bubastos (P. ) Band 1 Dieter Hagedorn, Heidelberg Band 2 Dber das Werden seines Leibes. ) Vol. XVI: Robert W. ) Band 1 und Band 2 Vol. XVII: Reinhold Merkelbach, Abrasax. ), Koln Band 1 und Band 2: Gebete Band 3: Zwei griechisch-agyptische Weihezeremonien Band 4: Exorzismen und jiidischlchristlich beeinfluBte Texte Vol. XVIII: Klaus Maresch, KOin Papyri from the Washington University Collection, St. Louis, Missouri Zola M. ) Vol. XIX: Robert W.

XXIII: Wolfram Weiser, Kdln Katalog ptolemaischer Bronzemiinzen der Sammlung des Instituts fur Alter- Vol. XXIV: Cornelia Eva Romer, Koln Manis fruhe Missionsreisen nach der Kolner Manibiographie Vol. XXV: Klaus Maresch, KOin Bronze und Silber. Papyrologische Beitrage zur Geschichte der Wahrung im Vol. XXVI: William H. Willis, Duke University, The archive of Ammon Scholasticus of Panopolis (P. ) Vol. 1: The legacy of Harpocration Vol. ) Band 1: Episrula ad Menoch Vol.

Die Bedeutung dieser beiden Begriffe fur die Literatur hat schon Lu Ji in seiner Reimprosa tiber die Literatur erkannt: "Richtige Prinzipien, die den Gehalt (eines Gedichtes) tragen, setzen des sen zentralen Stamm fest; die gestaltete (stilistische) Form, die davon abhangt, umgurtet ihn mit Vielfalt"102 . Und ahnlich wie Konfuzius fur den Menschen, fordert Liu Xie von einem literarischen Werk Ausgeglichenheit von Form und Gehalt 103 . Seit der Mitte des 5. Jahrhunderts geistert das Begriffspaar auch durch die theoretischen Texte der Schriftkunst, wobei hier allerdings das allgemeine Schriftzeichen wen durch ein anderes ersetzt wird, das auch "weibliche Schonheit" bedeutet.

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